Monday, December 21, 2009

He Made Me Watch It ~ It's a Wonderful Life (1946)


On a cold Saturday evening, Carlos and I snuggled on the sofa had some mint Hot Cocoa (with some peppermint Schnapps for some added warmth) and watched It's a Wonderful Life (1946). After my 29 year + semi-voluntary boycott, I now join a legion of people who have watched and enjoyed this film. I am now one of many, rather than one of few.

I was very impressed by Jimmy Stewart's multi-dimensional performance as reluctant townie George Bailey. He certainly had his regular aw-shucks demeanor and it suited the character really well, but you see Bailey go through a wide range of emotions, from hopefulness, disappointment, love, anger, frustration, hopelessness, etc. And I have a tremendous soft spot for Jimmy Stewart. He is one of a serious of male actors who I look up to as fatherly figures. If Jimmy Stewart is crying on screen, I am crying off screen. George Bailey's desire to travel the world gets eclipsed by his responsibilities to his father's business and to his hometown of Bedford Falls. If Bailey leaves the town, the evil Potter (played by the completely unrecognizable Lionel Barrymore), will take over. We can't take the good out of the town and leave it to the evil. Oh no siree. And while Bailey's accomplishments probably eclipse that failure in his life, I still feel sad for him. Part of me really wants to see Bailey escape Bedford Falls and travel the world because people should allowed to live out their dreams. This film, and Capra's message, certainly is about the merit of the individual but in the end, Bailey had to sacrifice himself for his community. Bailey is a 1940's Jude Fawley if you ask me.

With really important films, especially ones that have an impact on myself and/or on others, I always go back to my inner Derrida. I want to deconstruct the film just the way he would. So I asked myself, "what makes It's a Wonderful Life so effective?". And my answer: opposites. Throughout the film, we see George Bailey and all the good he does for everyone in Bedford Falls. It isn't just enough to see it. We need to feel it too. So let's throw in a villain. Mr. Potter, the evil, greedy business magnate who is trying to take over Bedford Falls with his iron fist and cold heart. You put Mr. Potter side-by-side with George Bailey and Bailey looks a positive saint, even more so than he already did. Now you could have the film continue with just Mr. Potter battling George Bailey and you would have your standard run-of-the-mill good guy versus bad guy story. The clincher is the addition of the angel. And it's not just the angel himself. It's what the angel shows Bailey, but more important what is shown to us as the audience. We see Bedford Falls as it would exist WITHOUT George Bailey. Deconstructionism teaches us that the presence of something is intrinsically linked to it's absence. We really appreciate something when we understand it's absence as well as it's presence. It's a difficult concept to explain but once you comprehend it, it sticks with you for life and you can never shake it. We get the important of George Bailey in Bedford Falls because not only we see it but we see what life in the town would be like without him.

So what was my personal reaction to the film? I enjoyed it immensely and was very moved by it but I am okay with only watching it once in a great while. Maybe that's why this is such a Christmas classic. Once a year is probably enough for some folks. I hurt a lot for Jimmy Stewart/George Bailey and winced, cringed and hid my face in my hands/blanket at every moment of dramatic tension. It was a difficult film to watch. Carlos kept reassuring me that everything was going to be okay but it didn't help when I saw him get emotional. By the end of the film I had tears streaming down my face. Maybe it was for the best that I hadn't watched this film at the Brattle theatre.  It's always embarassing to have one's tear-soaked face exposed by the bright lights that turn on when the end credits roll.

What touched me (or bothered me) the most about this film is the kindness factor. The kindness that Bailey showed the town and the kindness the town showed back to him. Kindness is rare these days. I find that many kindnesses go unrewarded. While you shouldn't be kind to get a reward, the joy should be enough, the quality of one's life is immensely improved by acts of kindness. On some days, when I'm down and out and really need a hug or a kind word said to me, I come up empty. All I really get in return is people wanting sympathy for their own problems and not seeing that I have many of my own. Maybe people are too self-centered these days. Or maybe, just maybe I'll have my George Bailey moment one day. We'll see.

Now that I've thoroughly depressed you (or angered you, whichever), I would like to wish everyone a Merry Christmas!

P.S. Why did no one tell me Gloria Grahame was in this film?!

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